翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Clayton & Black : ウィキペディア英語版
Clayton & Black

Clayton & Black were a firm of architects and surveyors from Brighton, part of the English city of Brighton and Hove. In a career spanning the Victorian, Edwardian and interwar eras, they were responsible for designing and constructing an eclectic range of buildings in the growing town of Brighton and its neighbour Hove. Their work encompassed new residential, commercial, industrial and civic buildings, shopping arcades, churches, schools, cinemas and pubs, and alterations to hotels and other buildings. Later reconstituted as Clayton, Black & Daviel, the company designed some churches in the postwar period.
Charles E. Clayton and Ernest Black, their sons Charles L. Clayton and Kenneth Black, and other architects articled to the firm, worked in a range of styles. The "architectural pantomime" of their Tudor Revival King and Queen pub and the elaborate Classical façade of the First Church of Christ, Scientist contrast with their plain Neo-Georgian Barclays Bank branch and the Gothic Revival St Thomas the Apostle's Church. Elsewhere in Brighton and Hove, they designed buildings in the Flemish Renaissance, Arts and Crafts, Art Deco and François Premier Revival styles. Many Clayton & Black buildings have been awarded listed status by English Heritage in view of their architectural importance—including their pink Baroque-style office for the Royal Assurance Society, described as their ''chef d'œuvre''.
==Company history==

Charles Edward Clayton was born in 1853 in Brighton, and Ernest Black, son of the Brighton coroner, was born there two years later. Clayton entered architectural practice in 1876 with George Holford; both studied under the Brighton architect Thomas Simpson. Black joined six years later, and Holford's involvement ceased the following year. Charles L. Clayton and Kenneth R. Black, sons of the original partners, joined later; the name "Clayton & Black" was maintained,〔 although "Clayton, Black & Partners" was sometimes used as well. Charles E. Clayton, who made his home in Edburton near Brighton and who was mainly responsible for church-related commissions, died in 1923;〔 Ernest Black had died six years earlier. Other partners joined the firm later in the interwar period as its success grew, but the final name change did not occur until John René Francis Daviel joined in the early 1950s and became the main driving force: thereafter the company was known as "Clayton, Black and Daviel". The last record of the company was in 1974.〔 Several other architects were articled to the firm at various times, such as Thomas Handy Bishop (between 1892 and 1893). John Owen Bond (between 1900 and 1903), Bernard Jessop (1908), and George Stanley Hudson. M.G. Alford joined in the 1960s, during the Clayton, Black and Daviel era.
Brighton and Hove were unusual among British towns and cities for the extent to which locally based architects received commissions for major buildings. Clayton & Black was the most prolific of three Brighton-based firms which between them designed dozens of residential, commercial, ecclesiastical and other buildings in the late 19th and early to mid-20th century in the rapidly growing towns. The others were Thomas Lainson (Lainson & Sons)〔 and John Leopold Denman (Denman & Son). Clayton & Black were the most "solidly commercial" of these, and commercial buildings represent their best work.〔
The practice was recorded at 152 North Street in Brighton in 1890.〔 From 1904, the firm were based in offices at 10 Prince Albert Street—one of a terrace of four buildings on a road built in 1842 to improve links within The Lanes, the ancient heart of Brighton. Sources disagree on whether the building, which is Grade II-listed, is late 18th-century or contemporary with the street,〔 but Clayton & Black remodelled it extensively when they took over, giving it a firmly Georgian appearance.〔
The first recorded commission for the firm, around 1875–76, was a complete rebuild of Blenheim House (56 Old Steine) in the centre of Brighton. This was one of several old buildings (along with Marlborough House and Steine House) on the west side of Brighton's first fashionable area, the low-lying grassland of Old Steine. In 1876–77, they extended the Brighton Friends Meeting House, built for Quakers in 1805,〔 and in 1894 they extended and comprehensively redesigned the town's famous Theatre Royal, partly in response to new fire regulations.〔 Much of the firm's early work, though, consisted of housebuilding and surveying in the rapidly developing residential town of Hove, a comfortable middle-class counterpoint to the neighbouring resort of Brighton, in which "a certain gentility prevails" in the spacious streets of finely detailed houses. The landmark Gwydyr Mansions at the bottom of Holland Road, a Flemish Renaissance red-brick and ashlar block of mansion flats with integral facilities such as a restaurant and barber shop, date from 1890. Their next work was in Lansdowne Road (1891), Furze Hill (1893), Holland Road (1895: a studio) and Portland Road (1895: several pairs of semi-detached houses and villas).〔 On Holland Road, a major north–south route, they were also responsible for shops, flats and a religious institute in 1898, a factory for Green & Company in 1911, and a set of garages in 1925.〔 From 1895, they were the main surveyors to the Vallance Estate, a development of high-class Domestic Revival/Queen Anne-style red-brick housing on land owned by the Vallance family.〔 In particular, they were engaged at Pembroke Crescent and Pembroke Avenue, part of the Pembroke & Princes conservation area, almost continuously between 1895 and 1906, and at Vallance Road and Vallance Gardens until 1907.〔 At the same time, but back in Brighton, they built a seaside convalescent home for French nationals who were patients at the French Hospital in London. The distinctive turreted structure is now Grade II-listed. Also contemporary were a veterinary surgery on Goldsmid Road〔 and the small terraced streets between Old Shoreham Road, Sackville Road and the railway line—Frith, Poynter, Landseer, Prinsep and Leighton Roads. Between 1892 and 1900 they also built up Sackville Road, another important north–south route, with shops, houses and the vicarage of St Barnabas' Church.〔 In 1894–97, they were responsible for a large complex of school buildings in the Aldrington area of Hove,〔 and in 1900 they designed and built a new hall at the Ellen Street schools in Hove (demolished in 1974)—an elaborate Queen Anne-style building designed in 1877 by Thomas Simpson, under whom Clayton was studying at that time.〔
Two places of worship followed in the early 20th century: for Baptists, the firm provided a "mission hall" (as it was described in the plan submitted to the borough council) on Lennox Road in the Aldrington area of Hove in 1903; and for the Church of England, they designed St Thomas the Apostle's Church on Davigdor Road in 1906. These were the first examples of commissions for religious buildings which came intermittently throughout the firm's history.〔 From the early 20th century the firm received more and more commissions for commercial buildings, and buildings such as offices and banks characterised the next decades. They designed a "magnificent" furniture depository in Hove for Hannington's department store (completed in 1904),〔 then executed their most celebrated design:〔 a tall, landmark office for the Royal Assurance Society, on a prominent corner site on Brighton's North Street.〔 After making major alterations to their new office in Prince Albert Street,〔 they designed a pub on the main London Road—like many of their buildings, it had a corner turret topped with a dome—in 1905.〔 A year later, they extended the Royal Alexandra Hospital in the Montpelier area of Brighton.〔
Their work in the second decade of the 20th century encompassed some pioneering buildings: one of England's first cinemas,〔 some of Brighton's earliest council housing (in a "highly attractive" Arts and Crafts style)〔 and a major addition to Brighton's new Palace Pier〔 All of these buildings were started in 1910. The firm then concentrated on housebuilding in Hove for the rest of the decade, taking on work at Lawrence Road (1911), Hove Street (1911), New Church Road (1914) and Kingsway (1915). In 1920 they undertook more work for St Barnabas' Church, whose vicarage they had previously designed:〔 they built a church hall on the east side of Sackville Road, replacing several other halls and institutes in the area. Founded in July 1920, it was completed in 1921 and cost £5,758. The area was subject to postwar urban renewal, and the building was demolished in 1965 in favour of flats with an integral hall.
Later in the 1920s, commissions came for bank branches in Brighton (the National Provincial Bank on North Street, designed by F.C.R. Palmer in 1921–23 but supervised and executed by Clayton & Black,〔 and a Capital & Counties Bank, now Lloyds Bank, on the same street),〔 a new shopping arcade (Imperial Arcade, executed in 1923–24 in a distinctive Art Deco style),〔 Hove's new fire station and a dairy,〔 which they also designed along Art Deco lines. It is one of the few Clayton & Black buildings to have been demolished.〔 One of their most "striking"〔 and memorable commissions then came in 1931, when the owners of the King and Queen pub on Marlborough Place decided to rebuild the 18th-century former farmhouse. The result—an elaborate Tudor Revival "pantomime" with careful facsimiles of typical 16th-century features—was called "a gorgeous flight of architectural imagination" by the ''Brighton Herald''.〔〔 A plainer, Classical-style building—another insurance company office—followed later in the 1930s,〔 in connection with the widening of West Street in Brighton.〔
The firm concentrated on churches after World War II, when John R.F. Daviel joined the firm. New Anglican churches for two recently built housing estates, Hollingdean and Mile Oak, were provided in 1954 and 1967 respectively. The Church of the Good Shepherd at Mile Oak was provided on the initiative of the Sussex Churches Campaign.〔 The firm was still in business in 1974;〔 their last recorded work was an extensive restoration of Christ Church in Sayers Common, a village north of Brighton. Daviel was responsible for this work.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Clayton & Black」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.